Meshach Taylor (1947–2014) created three iconic characters that defined three decades of entertainment: the flamboyant Hollywood Montrose in Mannequin, the steady father figure Sheldon on Dave’s World, and most enduringly, Anthony Bouvier on Designing Women. Yet, behind the warmth he brought to the screen was a story of artistic principle, deep struggle, and resilience that defined his career.

 

From Academic Roots to Bohemian Struggle

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Taylor was born in the late 1940s, the son of two committed educators, meaning his upbringing was focused on discipline and knowledge. Although he later studied dramatic arts at college, he walked away just a few credits shy of graduation, choosing instead to pursue his calling.

A Decade in Theater: Taylor spent years working in Chicago theater, a period he considered his graduate school. He trained with companies like the Goodman Theater alongside future stars like Joe Mantegna and earned a prestigious Joseph Jefferson Award in 1977 for his dramatic work in Sizwe Banzi Is Dead.
The Hollywood Test: When he moved to Los Angeles around 1978, the transition was far from smooth. Despite his theatrical accolades, Taylor struggled immensely, forcing him to live in his car for months while working day labor jobs just to survive and pursue his craft.

 

The Audition That Rewrote Television History

 

In 1986, Taylor auditioned for Designing Women. The role of Anthony Bouvier, the delivery man, was originally intended to be a single, one-time guest appearance.

Improvisation and Magic: Instead of a traditional script read, the producers asked Taylor to improvise a scene. His performance and natural comedic timing were so extraordinary that they had to stop him after five full minutes. The chemistry between him and the four leading women was undeniable.
A Permanent Fixture: What began as a five-episode recurring spot was expanded into a seven-season run, making Anthony Bouvier a core member and the show’s “heart.” Anthony became a groundbreaking character, an ex-convict working to rebuild his life and a voice of reason on issues of race and social justice, leading to an Emmy nomination for Taylor in 1989.

 

Final Bow and Lasting Legacy

Meshach Taylor died: Why his Designing Women character Anthony Bouvier was  groundbreaking.

Taylor consistently chose roles that challenged him creatively over those that offered massive financial reward, leading to a modest net worth compared to other Hollywood figures. His focus remained on integrity and family.

Full Circle Education: In the mid-1990s, three decades after dropping out, Taylor returned to Florida A&M University to finally complete his bachelor’s degree in theater arts, an act of respect for his parents’ educational values.
A Friend’s Dedication: Taylor’s long-standing friendship with Joe Mantegna spanned over 40 years, from the Chicago stage to Hollywood. Taylor’s final major television appearances were on Mantegna’s show, Criminal Minds, with Mantegna later dedicating an episode to his memory.
Family First: After being diagnosed with colorectal cancer, Taylor faced his illness with grace. Even as his health declined, he traveled to Indiana for his mother’s 100th birthday celebration just a short period before he passed away in June 2014, at age 67, surrounded by his family.

Taylor’s story is a testament to the belief that authentic talent, unwavering dedication, and genuine relationships are the true measures of success in Hollywood.